Jumat, 22 Mei 2015

Free Download The Rough Guide to Jamaica (Travel Guide) (Rough Guides), by Rough Guides

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The Rough Guide to Jamaica (Travel Guide) (Rough Guides), by Rough Guides

The Rough Guide to Jamaica (Travel Guide) (Rough Guides), by Rough Guides


The Rough Guide to Jamaica (Travel Guide) (Rough Guides), by Rough Guides


Free Download The Rough Guide to Jamaica (Travel Guide) (Rough Guides), by Rough Guides

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The Rough Guide to Jamaica (Travel Guide) (Rough Guides), by Rough Guides

Product details

Series: Rough Guides

Paperback: 320 pages

Publisher: Rough Guides; 7 edition (September 1, 2018)

Language: English

ISBN-10: 0241308836

ISBN-13: 978-0241308837

Product Dimensions:

5.2 x 0.8 x 8 inches

Shipping Weight: 12 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#271,192 in Books (See Top 100 in Books)

This guide seems to be pretty comprehensive. I'll be flying soon and may revise based upon my in-country experience.

Get out of the all-inclusive resorts. Experience the magic of the real Jamaica. The hagglers and traffic fade away instantly as you drive away from Negril and Montego Bay. This book was an essential resource for me as I drove around Jamaica for 12 days. Yes, I rented a car and yes, I survived driving on the wrong side of the road! I traveled "alone" for most of my trip and brought other daring travelers (mostly from the EU and Australia) that I met at hostels and Airbnb's with me to some amazing destinations for a fraction of the price the resorts advertise. This book had great insights about what is worth the drive to see, fair prices for admissions, time of day to see certain attractions with less crowds, and there are even some recommended guides. I borrowed this book from my library but I am thanking the publisher for creating a great reference by recommending it here! I'll go back to Jamaica ASAP. Safe travels!

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The Rough Guide to Jamaica (Travel Guide) (Rough Guides), by Rough Guides PDF

The Rough Guide to Jamaica (Travel Guide) (Rough Guides), by Rough Guides PDF

The Rough Guide to Jamaica (Travel Guide) (Rough Guides), by Rough Guides PDF
The Rough Guide to Jamaica (Travel Guide) (Rough Guides), by Rough Guides PDF

Selasa, 05 Mei 2015

Free PDF Quantum Jumps: An Extraordinary Science of Happiness and Prosperity

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Quantum Jumps: An Extraordinary Science of Happiness and Prosperity

Product details

#detail-bullets .content {

margin: 0.5em 0px 0em 25px !important;

}

Audible Audiobook

Listening Length: 7 hours and 38 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Cynthia Sue Larson

Audible.com Release Date: September 1, 2014

Whispersync for Voice: Ready

Language: English, English

ASIN: B00NIZ4XH0

Amazon Best Sellers Rank:

Cynthia Sue Larson's book, Quantum Jumps, is definitely worthwhile reading for a number of reasons. First of all her concept of quantum jumping, in other words sliding back and forth between potential multi-verses of experience, is intriguing. As I am writing this, scientists in Switzerland working with the Hadron Collider (as reported in the London Times) are searching for more evidence that there is not just one universe, but many universes, so she is in good company with support for the idea.Even if you feel stretched by the concept of quantum jumping, the book is filled with interesting research. It also includes practical exercises to help you have more of the life that you want. I definitely recommend this book. I get book review requests often, and this was one of the books that I actually read in its entirety, and we just bought a Kindle edition as well so my wife could read it on her Kindle.

The author does a great job of explaining and illustrating a concept that can not only seem difficult but also can seem a little crazy. Something we might have experienced as confusion or even worried was the onset of mental illness she identifies as quantum mechanics and the wave of the future--a capacity to strive for in interacting within dimensions of time and space. She moves quantum mechanics into the everyday, something more utilitarian than any way of thinking and being we've ever had. That's a large order and I'm glad to see her tackle it. It's still a slippery subject, but she's produced a really helpful and significant book. These are the steps to our own mastery of our own health and well being.

Interesting read. I've been trying the author's suggestions and the really do work for me.

Wonderful book. Very inspiring. There is so much more to life and the way the universe works than we know. The author talks about taking quantum jumps in a way that is very clear and easily understood. I am looking forward to reading more works like this.

Do you want to be more prosperous? Do you want to be happier and healthier? Change could be just a quantum jump away!In QUANTUM JUMPS, Cynthia Sue Larson has bridged the gap between science and consciousness in an intriguing and fascinating way. QUANTUM JUMPS cites numerous scientific studies and highlights both the well-established and emerging evidence indicating that we live in an interconnected and holographic multiverse. The "jump" model suggests that when you make a decision to change and shift some aspect of your life and consciously energize that decision, you are actually making a quantum jump into a new and alternate reality. You then live from the position that your reality has shifted.QUANTUM JUMPS offers many simple practical ways to consciously jump into the world you desire. I highly recommend this inspirational book. Welcome to the Quantum Age![...]

I have added some of the confidence building positions to my creative (art and writing) repertoire- they work!

A must read for anyone who has wondered "What Happened?" after a strange event. The person could be Quantum Jumping. The findings on these issues are right at the forefront of what is being proven at the Inst. of Noetic Sciences. Cynthia is a lovely person and she is really on the cutting edge of the new paradigm of perception that blows away boundaries and mysteries. It is also a fun book as there are exercises to try.Thanks Cynthia for very fun but informative book.

The latest studies in quantum physics seem to indicate that consciousness can directly impact the physical world. A number of researchers and writers—Larry Dossey, Charles Tart, and Dean Radin among others, have sought to probe and examine this new paradigm. Cynthia Sue Larson’s book goes a bit further in a speculative direction than these others do. She looks at the idea of parallel universes and suggest we can “jump” into alternate realities. Her ideas are interesting, perhaps better taken metaphorically than literally—but who knows? I like the lack of dogmatism in her tone, and her willingness to ask: What if? The most crucial fact to come away with is that attitude impacts our lives in ways people were previously unaware of. (The discussion of placebos is fascinating.) The author suggests ways to “jump” into a new and better reality through a shift in mindset.This is a well-written book, highly enjoyable to read. The universe is a more complicated and miraculous place than early scientists ever knew, and we laypeople are just beginning to grasp the implications. The book gives us an exhilarating take on new possibilities.

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Minggu, 03 Mei 2015

Ebook Reckless Daughter: A Portrait of Joni Mitchell, by David Yaffe

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Reckless Daughter: A Portrait of Joni Mitchell, by David Yaffe

Review

"A vivid and dramatic book" ―Josephine Livingstone, The New Republic“The best chronicle to date of Mitchell’s creative process and the specific way her songs were composed.” ―Rachel Syme, The Nation"Yet whatever her listeners might dream or desire, Joni Mitchell was never in it for them, and she certainly wasn’t like them: She was a genius. As David Yaffe shows in his new biography, Reckless Daughter: A Portrait of Joni Mitchell, to approach her as an open book waiting to be read is to miss the essence of that genius . . . [T]he best full-length treatment of Mitchell yet published . . . [Yaffe] pulls off the feat that has eluded so many of his predecessors: He forges an intimacy with Mitchell on her own, uncompromising terms by truly listening to her, as closely and as generously as she’s always deserved . . ." ―Jack Hamilton, The Atlantic"Joni Mitchell’s gift was so enormous that it remade the social space around her. As David Yaffe’s new biography, “Reckless Daughter: A Portrait of Joni Mitchell” (Sarah Crichton Books), suggests, it is no small burden to possess something as valuable as Mitchell’s talent, and it meant that this girl from the Canadian prairie would be in the world, whether she liked it or not . . . Yaffe, who teaches at Syracuse, charts these encounters with a sure hand, and is a brilliant analyst of how Mitchell’s songs are made. " ―Dan Chiasson, The New Yorker"In prose that shifts between chatty, impressionistic and reportorial, Yaffe sympathetically traces the outline of the musician's life, from her childhood battle with polio through her life-threatening aneurysm in 2015. Working his way through her albums, he offers up detailed takes on recording sessions, song tidbits, even chord changes. . . Reckless Daughter looks at Mitchell's life through all sides now." ―David Browne, Rolling Stone"Yaffe solidly traces the glory and gloom of a musical career that expanded our ears and hearts . . . The lonely girl ill with polio had survived to become a great artist. Yaffe’s books tells us how she got there." ―Sibbie O'Sullivan, The Washington Post"David Yaffe has crafted a beautiful, heartbreaking, fierce and uncompromising look at one of the greatest artists of the past 50 years . . . a lush, complex, carefully researched examination of one of music's most interesting living legends . . . This is a full portrait of an artist who carved a place for herself in the music industry and managed to walk away from it with more than her dignity fully intact . . . Reckless Daughter will most likely prove to be the best, most comprehensive look at all sides of this powerful and still meaningful, still influential musical and artistic presence." ―Christopher John Stephens, PopMatters"Dazzling . . . A shimmering portrait of one artist's life, illusions and all." ―Booklist (starred review)"[Yaffe] brilliantly guides readers through Mitchell’s evolution as a musician with vivid descriptions of the making of each of her albums from Song to a Seagull (“If drums and an electric guitar had been added to the mix, Joni would have produced some acid rock herself”) through Shine in 2007. Yaffe introduces readers to the musicians with whom Mitchell worked, including Leonard Cohen, Graham Nash, Judy Collins, and Charles Mingus. The combination of fine writing and extensive access make this the definitive biography of a gifted songwriter and musician." ―Publishers Weekly (starred review)"The essential biography of Joni Mitchell." ―Now Toronto“David Yaffe has composed an abnormally well-written musician biography―descriptive, culturally aware and highly supportive of his subject.” ―David Luhrssen, Shepherd Express“Reckless Daughter is a bewitched, bothered, and bewildered portrayal of one of the most beautiful and enigmatic artists of a beautiful and enigmatic period of American life. It is touching, mystifying, and revealing in equal parts.” ―Mary Gaitskill“Joni Mitchell, an artist of innervating and daunting complexity, originality, and importance, could have no better biographer than David Yaffe. He knows the music like the serious musician he is, knows the poetry like the literary scholar he is, and is equally attuned to Mitchell’s tortured soul. On top of all that, he seems to have interviewed everyone important in Mitchell’s life, from her first husband to Leonard Cohen. Reckless Daughter is nothing less than the definitive statement on the life and work of an artist who defies definition.” ―David Hajdu, author of Love for Sale: Pop Music in America“It’s so easy to get Joni Mitchell wrong, or to leave out the most important things, or to miss the point altogether. Reckless Daughter is the definitive correction to all the errors, a sharp yet sprawling look at one of the most brilliant musical artists of modern times. David Yaffe grasps the nuances―of the music, the poetry, the intellect, the madness. He gets it. He gets her. I couldn’t get enough of this fine biography.” ―Meghan Daum, author of The Unspeakable: And Other Subjects of Discussion“David Yaffe is an artful and incisive critic who writes with such grace and clarity. With Reckless Daughter, he makes a figure as iconic as Joni Mitchell feel wholly new. This portrait is loaded with revelations, both spiritual and actual. I thought I understood something about Mitchell―the way her tough and tender songs move, her sweetness and rebellion―but Yaffe understands everything. What a book.” ―Amanda Petrusich, author of Do Not Sell at Any Price: The Wild, Obsessive Hunt for the World’s Rarest 78rpm Records

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About the Author

David Yaffe was born in Dallas, Texas, in 1973. He has written on numerous subjects (music, film, theater, dance, higher education) for The Nation, New York, Slate, The New York Times, The New Republic, The New York Review of Books, The Paris Review, and other publications. He is currently a professor of English at Syracuse University, and is the author of Fascinating Rhythm: Reading Jazz in American Writing and Bob Dylan: Like a Complete Unknown.

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Product details

Hardcover: 448 pages

Publisher: Sarah Crichton Books; First Edition, First Printing edition (October 17, 2017)

Language: English

ISBN-10: 0374248133

ISBN-13: 978-0374248130

Product Dimensions:

6.4 x 1.5 x 9.4 inches

Shipping Weight: 1.6 pounds (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

157 customer reviews

Amazon Best Sellers Rank:

#16,526 in Books (See Top 100 in Books)

Joni Mitchell wrote her most performed song, “Both Sides Now,” when she was only twenty three, yet she had gone through enough at that age to support her claim to so much experience. In her fifties, when she recorded that song with the London Symphony, when she was not at all well--and had lost the upper octave of her amazing voice, thanks to having smoked a shocking number of cigarettes since that earlier time--she left those classical orchestral musicians in tears.Late in her career, in 1998, Herbie Hancock told Joni that she was the best jazz singer alive, based on her phrasing and overall conception of Gershwin's songs--and Hancock's opinion on jazz could not be more authoritative. In discussing Joni's recorded albums one by one, Yaffe shows how her styles changed over the years from folk singer to rock to jazz in the 1960s and 1970s. Her instrumentation changed too. By the eighties she was no longer in the mainstream of popular taste, so her productivity and sales slumped. At one point she went ten years without writing new songs--and just about all her songs were written by her, sometimes in the middle of the night. One reason her songs were as good as they were can be attributed to a grade school teacher who had circled all the cliches in her compositions; he knew she could write better.In Joni's own view, one reason her songs were the way they were was the trauma she had experienced at a young age in giving her daughter up for adoption. She carried around that trauma for life. When, decides later, she established contact with that daughter, the latter did not like her mother much. However, things went much better with Joni's grandchildren.I cannot praise this book highly enough for the way Yaffe brings to life this brilliant yet troubled artist, and links her to so many of her famous musical contemporaries, collaborators and more numerous lovers than I could keep track of. She loved much, and so many of her songs were about love, but, with the exception of her second marriage, her relationships did not last very long. She did , however, maintain friendship and respect for most of them.Be sure to note Yaffe’s subtitle: this is a portrait, as distinct from a biography, though there is a great deal of detail about her life—which is not yet at an end.

I thought what a great subject and about time for a current biography as Joni Mitchell has long been a favorite. However halfway through I was hating the way it was written. Seemingly every lyric taken as literal as though there was nothing in the artist's imagination at all. That everything had to be based on a relationship or cocaine (yes David, we get it, she did cocaine- thanks for reminding us every other damn page covering the '80s period. Yes I'm exaggerating a bit, but the way facts were repeated ad nauseam as if Yaffe had nothing else to say but had to fill a word quota. Granted some good information on a great subject, but the writing ruined it for me.

“Both Sides Now” sung by Judy Collins was everywhere in 1968/69. I remember sitting on the floor of a dorm room with my suitemates, playing the song over and over on a rinky-dink record player. I doubt any of us realized it was written by Canadian Joni Mitchell.But Joni soon attained stardom on her own, becoming as famous as Collins and Joan Baez. Folk music was eclipsed by rock music, but Joni straddled both worlds. She changed our ideas about what a “girl singer” was all about. As author David Yaffe points out, “men fell in love with her and women felt like she was singing their secrets out loud.”I had a vague memory of the fact that Joni had polio as a child, but I did not know until reading RECKLESS DAUGHTER that her left hand was so affected, she strummed her songs using right-handed open tuning. This technique only added to her unique sound, especially when combined with her accomplished lyrics and vocal leaps.As I read the book, I jammed it full of Post-It notes in preparation for writing this review. I learned more about her than I could ever outline here. I believe she is a genius: moody, complex, and conflicted, all qualities she poured into her music. Here is one priceless accolade Joni treasures from the 1990s: some teenage girls told her “Before Prozac, there was you.”Yaffe shows us the Joni who writes songs for the daughter she gave up for adoption when she was 20, the Joni who despises the music business, the Joni who describes her lyrics on “Blue,” her most acclaimed album, as “private letters that were published.” We see her in relationships with Leonard Cohen, David Crosby, Graham Nash and Jackson Brown. Couplehood was rarely easy for her. Solitude seems to be her preferred state.We see Joni gaining and losing popularity. Many listeners tuned out when she went more towards jazz. Classic rock radio kept her songs alive. The public “put her on a pedestal,” she said at one point, and she “was wobbling.” We see her battling aging and illness. Struck down by a brain aneurysm in 2015, she was progressing towards recovery as the book closed.I wish there had been more coverage of Joni’s life as a painter. I’ve always been in awe of her paintings featured on her record covers. “I sing my sorrow and paint my joy,” Joni famously said. Yaffe includes many details of various recording sessions, sections I have to admit I tended to skim. But as it should be with a biography of a gifted musician, this book sent me right back to Mitchell’s music. May it be so for any other music lovers who reach for this compelling biography!The text of this review also appears on LitLovers.com

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Selasa, 28 April 2015

Download PDF The Qur'an: A New Translation, by Tarif Khalidi

Download PDF The Qur'an: A New Translation, by Tarif Khalidi

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The Qur'an: A New Translation, by Tarif Khalidi


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The Qur'an: A New Translation, by Tarif Khalidi

Review

"An eloquent and eminently readable translation . . . much closer to the way the first Muslims experienced the Qur'an." -Reza Aslan, author of Zealot " While being faithful to the original, [Khalidi] succeeds in conveying linguistic shifts, from narrative to mnemonic, sermons to parables. And there is an innovative component: it is the first translation that tries to capture both the rhythms and the structure of the Qur'an. . . . This translation manages to give a glimpse of the grandeur of the original. . . . A magnificent achievement." -Ziauddin Sardar, The Guardian (London) "What sets Khalidi apart from his predecessors is his sensitivity to the sounds and many layers of meaning of the original as well as his skill in conveying them to an anglophone audience...Khalidi's introduction and bibliographic note are marvelously succinct, explaining the textual nature and structure of the Qur'an, its place in Muslim life, and providing a very useful summary of recent research and further reading...a landmark in the history of English translations of the Qur'an." --Ziad Elmarsafy, Times Literary Supplement

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About the Author

Tarif Khalidi was born in Jerusalem in 1938. He received degrees from University College, Oxford, and the University of Chicago, before teaching at the American University of Beirut as a professor in the Department of History from 1970 to 1996. In 1985 he accepted a one-year position as senior research associate at St Anthony's College, Oxford, and from 1991 to 1992 was a visiting overseas scholar at St John's College, Cambridge. In 1996, Tarif Khalidi left Beirut to become the Sir Thomas Adams' Professor of Arabic at Cambridge University, the oldest chair of Arabic in the English-speaking world. He was also Director of the Centre for Middle East and Islamic Studies and a Fellow of King's College, Cambridge. After six years, Professor Khalidi returned to the American University of Beirut, taking on the Sheikh Zayed Chair in Islamic and Arabic Studies, the first chair to be filled at the University since the civil war.

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Product details

Paperback: 560 pages

Publisher: Penguin Classics; Later Printing edition (September 29, 2009)

Language: English

ISBN-10: 0143105884

ISBN-13: 978-0143105886

Product Dimensions:

5.6 x 1.4 x 8.4 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

20 customer reviews

Amazon Best Sellers Rank:

#394,138 in Books (See Top 100 in Books)

Below I compare three modern translations: each an excellent alternative in comparison to other translations out there, such as old style Pickthall/Asad/Ali or Saudi influenced Hilali-Khan.~Basmalah~Ahmad Zaki Hammad:: In the name of God, the All-Merciful, the Mercy-Giving.MAS Abdel Haleem:: In the name of God, the Lord of Mercy, the Giver of Mercy!Tarif Khalidi:: In the name of God, Merciful to all, Compassionate to each!~31:18~Ahmad Zaki Hammad:: Moreover, do not turn your cheek to people [in contempt]. And do not ever walk upon the earth proudly exultant. Indeed, God loves no one who is swaggering [or] boastful.MAS Abdel Haleem:: Do not turn your nose up at people, nor walk about the place arrogantly, for God does not love arrogant or boastful people.Tarif Khalidi:: Do not turn your cheek away from people in contempt, and do not walk merrily upon the earth: God loves not every swaggering snob.My Opinion:: In regard to walking, Khalidi missed the sense of proudness and only mentions merrily, while Haleem missed the sense of being exultant and only mentions arrogance. Haleem, in addition, does not provide a literal translation, i.e. cheek, rather gives a more well-known idiom in English “turn up nose”. Hammad seems to be more accurate.~49:13~Ahmad Zaki Hammad:: O humankind! Indeed, We have created [all of] you from a [single] male and female. Moreover, We have made you peoples and tribes, so that you may [come to] know one another. And, indeed, the noblest of you, in the sight of God, is the most God-fearing of you. Indeed God is all-knowing, all-aware.MAS Abdel Haleem:: People, We created you all from a single man and a single woman, and made you into races and tribes so that you should get to know one another. In God’s eyes, the most honoured of you are the ones most mindful of Him: God is all knowing, all aware.Tarif Khalidi:: O mankind, We created you male and female, and made you into nations and tribes that you may come to know one another. The nobles among you in God’s sight are the most pious. God is All-Knowing, All-Experienced.My Opinion:: Not sure if Khalidi intentionally omitted the preposition “from”, but by saying “created you male and female”, withdrawing the preposition (originally in Arabic “min”) changes the scope of the verse. Also by saying God is “All-experienced”, Khalidi missed the point of God being continuously all-aware. Another important word here is atQaakum, which is related at-Taqwa and Muttaqun, which is usually translated to mean God-fearing or God-conscious. I feel Hammad again captures it better. But “mindful of God” as Haleem presents and “pious” as Khalidi translates are not wrong either.~67:5~Ahmad Zaki Hammad:: For very truly, We have adorned the nearest heaven with lights. And we have made [of] them, [as well] projectiles to [pelt] the satans. Moreover, We have prepared for [the satans in the Hereafter] the torment of the Flaming Fire [of Hell].MAS Abdel Haleem:: We have adorned the lowest heaven with lamps and made them [missiles] for stoning devils for whom We have also prepared the torment of a blazing fire.Tarif Khalidi:: We adorned the lower sky with Lanterns, and made them to be volleys against the demons, for whom We have readied the torment of the Blaze.My Opinion:: Each of Hammad, Haleem and Khalidi translates “Shayateen” as satans, devils and demons respectively. All conveys the meaning. Hammad uses too many brackets to convey contextual meaning, which sometimes can get mouthful. Heleem seems have done the best here.~78/1-3~Ahmad Zaki Hammad:: About what are they asking one another? About the Great Tiding [of the Afterlife]—it is about this that they dispute.MAS Abdel Haleem:: What do they question about the momentous announcement over which they differ?Tarif Khalidi:: What is it that they question each other about? Is it the Great Proclamation, concerning which they differ?My Opinion:: Here Haleem does not add “each other” or “one another”, which changes the scope of the verse. Are they question directed to God, to the Prophet or to each other?~79/1~Ahmad Zaki Hammad:: By the [angelic] pullers, pulling forth violently [the souls of the disbelievers at death]!MAS Abdel Haleem:: By the forceful chargersTarif Khalidi:: By those that dispatch, to the very limit!My Opinion:: Many translate first five verses of this chapter to include interpretations such as "angels", "winds", "stars", “herd of horses” etc. But these interpretations should not be in the body of the actual translation. All of three translators fall short here. Hammad adds angels in the bracket. Haleem, too, falls short here. He, in his footnote, remarks that in his opinion military horses are the most likely interpretation. As such his translation seems to be forced to match the description of a herd of military horses going out. Khalidi follows the logic similar to that of Haleem. Ignoring the brackets, Hammad provides the best translation, IMO.~103:1-3~Ahmad Zaki Hammad::By [the decline of] Time!Indeed, humankind is in [a condition of utter] loss—except for those who believe and do righteous deeds—and exhort one another to [uphold] the truth, and exhort one another to [persevere in faith with] patience.MAS Abdel Haleem::By the fading day, man is [deep] in loss, except for those who believe, do good deeds, urge one another to the truth, and urge one another to steadfastness.Tarif Khalidi::By the afternoon!Man is surely amiss!All save those who believe,Who do righteous deeds,Who enjoin truth upon one anotherWho enjoin patience upon one another.~~~My Conclusion:: Quran can't be properly translated into any other language to convey 100% of the meaning. In my opinion, Hammad provides the most accurate translation. The brackets can get mouthful, but are very useful in providing context. Haleem’s translation flows the best. He does not always provide literal translation but uses excellent uses of footnotes. In some places, his penchant for shorter and friendlier translation, he omits a word or two. Khalidi also falls to some error due to his desire for more poetic presentation. Hammad 5/5. Haleem 5/5. Khalidi 4/5. God knows best.

I don't speak Arabic and so I rely on multiple translations for study, and this by far is the best I have ever used.I use three translations for study: Khalidi, Haleem, and Asad. Here are two portions of the Koran according to each translation:=== Q. 128–9 ===Tarif Khalidi — this translation:To you has come a messenger, from among your number,Aggrieved by the hardship you suffer,Concerned for you,Tender and compassionate towards the believers.If they turn away, say: ‘God suffices me.There is no god but He. In Him I trust. Lord of the great throne is He.'M. A. S. Abdel Haleem — Oxford World's Classics:A Messenger has come to you from among yourselves. Your suffering distresses him: he is deeply concerned for you and full of kindness and mercy towards the believers. If they turn away, [Prophet], say, ‘God is enough for me: there is no god but Him; I put my trust in Him; He is the Lord of the Mighty Throne.’Muhammad Asad:INDEED, there has come unto you [O mankind] an Apostle from among yourselves: heavily weighs upon him [the thought] that you might suffer [in the life to come]; full of concern for you [is he, and] full of compassion and mercy towards the believers. But if those [who are bent on denying the truth] turn away, say: “God is enough for me! There is no deity save Him. In Him have I placed my trust, for He is the Sustainer, in awesome almightiness enthroned.”=== Q. 55:1–9 ===Tarif Khalidi — this translation:The All-Merciful!He taught the Qur’an,He created man,He taught him eloquence.Sun and moon move in measured order;Shrubs and trees bow down;The sky He raised, and established the balance,So that you do not infringe the balance,But measure in fairness, and not shortchange the balance.M. A. S. Abdel Haleem — Oxford World's Classics:It is the Lord of Mercy who taught the Qur’an.a He created man and taught him to communicate. The sun and the moon follow their calculated courses; the plants and the trees submitc to His designs; He has raised up the sky. He has set the balance so that you may not exceed in the balance: weigh with justice and do not fall short in the balance.Muhammad Asad:THE MOST GRACIOUS has imparted this Qur’ān [unto man].He has created man: He has imparted unto him articulate thought and speech.[At His behest] the sun and the moon run their appointed courses; [before Him] prostrate themselves the stars and the trees.And the skies has He raised high, and has devised [for all things] a measure, so that you [too, O men,] might never transgress the measure [of what is right]: weigh, therefore, [your deeds] with equity, and cut not the measure short!

Having been a student and teacher of classical Arabic and the Quran for some time, I have read many the Quran many times in Arabic and English translations. This is one of the easiest modern English translations of the Quran I have found. It also has high accuracy. Any translation has short-comings so if you would like deeper research, look the exact words up in a dictionary like Lane's Lexicon. There is another Quran translation published back in 1980 from a collaboration between the Shia and Sunni councils of Lebanon that is also extremely good. I don't have any more information on it, and since I cannot find it in anywhere, I always recommend this translation.

I love this translation. I really wish Khalidi would expand upon it though and offer a version with contextual and historical notes. Most Muslims never read this one, but it's really a joy to read. I read it along with more literal and classical translations, like the one by Yusuf Ali or Sahih International, both of which are somewhat boring to read.

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Kamis, 23 April 2015

Free PDF Jane Eyre, by Charlotte Bronte

Free PDF Jane Eyre, by Charlotte Bronte

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Jane Eyre, by Charlotte Bronte

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Jane Eyre, by Charlotte Bronte


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Jane Eyre, by Charlotte Bronte

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"Renowned artists are commissioned to design the binding for each of White's Books beautifully crafted hardcovers." -- Book Arts!

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About the Author

The eldest of the three Bront? sisters, Charlotte is best known for her novel Jane Eyre, which was published under the pseudonym Currer Bell. Bront? s works were revolutionary for their time, reflecting a truthfulness about love and relationships that was not common in Victorian-era England. While Jane Eyre was, and continues to be, her most popular work, Charlotte Bront? published numerous works during her short life, including juvenilia, poetry, and the novels Shirley and Villette. Charlotte Bront? died in 1855, outliving both of her sisters, Anne and Emily. Collectively, the Bront? sisters novels are considered literary standards that continue to influence modern writers.

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Product details

Paperback: 290 pages

Publisher: CreateSpace Independent Publishing Platform (January 24, 2019)

Language: English

ISBN-10: 1503278190

ISBN-13: 978-1503278196

Product Dimensions:

6.7 x 0.7 x 9.6 inches

Shipping Weight: 1.3 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

1,045 customer reviews

Amazon Best Sellers Rank:

#15,441 in Books (See Top 100 in Books)

When I started reading this book, I found it supremely boring (no don’t kill me yet, hold your horses), and it was a struggle to keep at it. In fact, I would have certainly DNFed it, if not for the fact that I was buddy-reading this book with Bookish Muggle, and I really did not want to let her down.It’s the only reason I bothered to drag myself through the initial few chapters. And no, I am not saying it was all dreary, there were certainly sparks of excellence, but for the most part I was bored out of my mind.So from that kind of a beginning to now, when I’ve finished the book, and I’m obsessed with it – it’s clearly been quite a turnaround, and now I can’t imagine giving this anything less than 5 glorious stars.Sure, most of this has to do with a terrific second half, but in hindsight, I can see how the first half was as vital as the second to this wonderful wonderful story. Without the backstory, the second half wouldn’t have had the kind of impact it did.This one truly is a masterpiece, but I’m getting ahead of myself, so let’s back up a bit here.Jane EyreI know many people view this as an epic romance, a timeless love-story, and while it’s definitely one way of looking at it, I view this more as a ‘life story’. The tale of the evolution of a strong and independent female protagonist, a 19th century feminist, who was light years ahead of her time.I do not think, sir, you have any right to command me, merely because you are older than I, or because you have seen more of the world than I have; your claim to superiority depends on the use you have made of your time and experience.The author utilizes the first person narrative, which creates a high degree of intimacy with the character; it made me feel like I knew Jane as well as she comes to know her own self. And the more I knew her, the more I liked her.I am not saying I agreed with everything that she thought or did. For instance, she sure had a strong moral compass, which is great, but was a little too preachy at times. And no, I am not judging her for that, just saying. At any rate, none of us can claim perfection, so I can hardly expect that from her.Having said that, I do envy her strength of character in the face of tragedy and temptation.Laws and principles are not for the times when there is no temptation: they are for such moments as this, when body and soul rise in mutiny against their rigour; stringent are they; inviolate they shall be. If at my individual convenience I might break them, what would be their worth?She did not to let love justify all the mistakes and wrong choices, and refused to let it blind her to everything else that was important for her sense of self-worth. And I LOVED her for this unwavering determination to stay true to herself!I wish I could have declared with any degree of confidence that I would have acted in a similar manner too, but in all honesty, I cannot say that. Which is why I found her to be a very brave soul, to deny the first glimpse of happiness that she found in her life, which had so far essentially been one long tale of woe.Read full review at SHANAYA TALES DOT COM.

I am not going to review the book, it's Jane Eyre, if you need to find a review there are plenty since 1847.This is about the kindle format. It's just bad. Some may even say horrible, but I live on the student budget so I am a bit on the beggers can't be choosers side. I didn't find it the worst format but the biggest annoyance I had was repeated sentences and even pages at times. Then my small nitpick that the following chapter just rests under the line of its predecessor. Why is that a thing? Are you trying to save the trees, its digital why not start the next chapter on the following page, it just looks cleaner.But wise word works and it can identify each chapter in the books, so in that regard, I didn't find it the worst format just in need of edits for the repeats. Also, heads up, keep iphone handy if you don't know french.

My favorite love story of all time!!! A young Jane Eyre is sent to live with her cruel aunt at Gateshead. She is then at the young age of ten forced to a school filled with harsh conditions and neglect. Jump eight years and you have a young woman ready to get out in the world . She then becomes a governess to the ward of Mr.Rochester Adele. Mr.Rochester is a brooding,mysterious type of fellow . Who's strange mood changes are caused by some type of mystery at thorn field where she is now staying. Not long after their first meeting Jane softens the heart of her employer whom she has fallen in love with. But Mr.Rochester holds a terrible secret ,that explains all the strange things happening at Thornfield. A secret that she is purposely excluded from,a secret that can drive the two lovers apart forever ......

I was assigned this book to read as a 13 year old high school freshman (I had skipped a grade). I could not get through it, and was horrified by the amount of words used to describe such trivial things as the shrubbery outside the school. I didn't understand it then. I can't remember at which point I gave up, bought the Cliff notes, and scored an eighty-something on the exam. I hadn't fooled the teacher; I actually admitted to her that I couldn't get through it. She didn't punish me, since she knew I truly did love reading all sorts of books. She let it slide.Now, being older and hopefully wiser, I still had to concentrate to read this. Many of the words were unfamiliar, old British words and phrases. But I have the concentration now to do so. In fact, it was an excellent escape from my daily housework, kids, job, finances, etc. It was nice to visit old England whenever I could spare some time for a few pages.Jane was a real heroine in the most basic meaning of the word. In all the book, she never did anything with malice (she did act unkindly on occasion where it was deserved, so I cannot call that malice, but more justice). She upheld her religious beliefs and personal righteousness, though never in a pompous way. She was good. Of Mr. Rochester, sometimes I feel (as he did) that he did not deserve her. But I believe that she would have--not changed him, but brought out more positive and humble feelings in him, just by watching her, listening to her, and being her other half. She had strength enough to bear both of them through life. Of course I liked this book. Jane, meek and small, pale and quiet, but stronger than anyone else in the book, ends up blissfully happy, though not without some difficulties. As she should.

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Kamis, 16 April 2015

Download PDF , by Grace Wilkinson

Download PDF , by Grace Wilkinson

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, by Grace Wilkinson

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File Size: 1834 KB

Print Length: 91 pages

Simultaneous Device Usage: Unlimited

Publication Date: April 26, 2016

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B01EVQAZOO

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This is a sweet, charming story—true horsey ‘comfort food!’ The exercise rider Georgia has finally acquired the horse of her dreams—a failed racehorse named Loxwood who she is convinced will make a wonderful eventer and take her up the levels. Georgia is wildly ambitious but gets quickly brought back to earth when she struggles with the reality of learning how to see distances as well as teaching Loxwood to jump.Georgia is a winning narrator, easy to identify with yet also funny and passionate about riding. As an American, I loved learning more about the riding scene in the UK. For example, self-care liveries (stables) seem to be much more common across the pond.Georgia finds a second family in the world of riding, including people who guide her through her first event and who also understand the joys of obsessively talking about horses (and watching Badminton on television) as well as riding, unlike her parents. I really wanted to be part of Georgia’s world by the end of the book.

I am completely delighted by Grace Wilkinson's writing, characters, and settings in the Loxwood series. Wilkinson understands horses and the sport, and more importantly, she's very good at describing the way these passions make horse-people feel. I could be Georgia, and Loxwood could be a horse I had a unique connection with in the past. I'm on pins and needles waiting for the next installment.

These books by Grace Wilkinson are awesome! Very realistic in all settings,at the racetrack,the eventing barn or home, you feel as if you are there along with the characters. All characters are well-developed, I laughed and cried as the main character,Georgia,works to make her dreams come true. I was a riding instructor and trained racehorses,and these books help me remember moments I have had. I am definitely reading all this author's stories,they are fun and happy.

This installment was if possible even better than the first one! Georgia makes friends at the horse shows and trains her horse to be an event horse. She is not perfect and has some struggles in the beginning, but her friends help her overcome her problems. We get some insight into what is going on with Paige as well.Can't wait for the next one!

While reading the beginning of this book, It felt as if it was autobiographical. Honestly, It felt like the story of my childhood. In my case, however, I had to continue to play out the fantasy because we lived in the city and my circumstances were quite unlike the girl in this book.

Georgia and Loxwood are the perfect team and their adventures are a great lesson in perseverance. I will recommend this series to young and adult equestrians! Grace Wilkinson is creative and tells a good story.

I love both books in this series. Great storylines, believable characters, lovable horses, and well written. I can't wait for the next book to come out!

Georgia is still a teenage girl, but has more moments of maturity. Looking forward to #3, but battery needs charging - both table's and mine .

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Kamis, 09 April 2015

Download Being Wrong: Adventures in the Margin of Error, by Kathryn Schulz

Download Being Wrong: Adventures in the Margin of Error, by Kathryn Schulz

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Being Wrong: Adventures in the Margin of Error, by Kathryn Schulz

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Being Wrong: Adventures in the Margin of Error, by Kathryn Schulz


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Being Wrong: Adventures in the Margin of Error, by Kathryn Schulz

Review

“A mirthful and wise diagnosis of what ails us: Schulz dances us through science, psychology, and literature in a sparkling history of (and ode to) human error.” (Publishers Weekly)“[A]n insightful and delightful discussion of the errors of our ways. . . . Schulz remains good company -- a warm, witty and welcome presence. . . . [S]he combines lucid prose with perfect comic timing. . . . Being Wrong is smart and lively.” (New York Times Book Review)“So, please take this advice: Read BEING WRONG, because it’s the right thing to do.” (Lisa Ko, author of The Leavers)“Kathryn Schulz’s brilliant, spirited, and necessary inquiry into the essential humanity of error will leave you feeling intoxicatingly wrongheaded.” (Tom Vanderbilt, bestselling author of TRAFFIC)“[A]n unusual examination of the virtue and peril of being wrong and of all the ways we think we know things that just ain’t so.” (Boston Globe)“Engrossing.... In the spirit of Blink and Predictably Irrational (but with a large helping of erudition)... Schulz writes with such lucidity and wit that her philosophical enquiry becomes a page-turner.” (Publishers Weekly (starred review))“Kathryn Schulz has given us a brilliant and remarkably upbeat account of the long history of human error. If Being Wrong is this smart and illuminating, I don’t want to be right!” (Steven Johnson, bestselling author of THE GHOST MAP and EVERYTHING BAD IS GOOD FOR YOU)“Kathryn Schultz is engaging, witty and fascinating as she uses a full arsenal of academic research, colorful stories, philosophical arguments and personal anecdotes to create a riveting account of why we, mostly, have been wrong about being wrong.” (Frans Johansson, author of THE MEDICI EFFECT)“Both wise and clever, full of fun and surprise...[BEING WRONG] could also be enormously useful—there are very few problems we face...that couldn’t be helpfully addressed if we we were willing to at least entertain the idea that we might not be entirely right.” (Bill McKibben, author of EAARTH: Making a Life on a Tough New Planet)“A funny and philosophical meditation on why error is mostly a humane, courageous and extremely desirable human trait. [Schulz] flies high in the intellectual skies, leaving beautiful sunlit contrails....It’s lovely to watch this idea warm in Ms. Schulz’s hands.” (Dwight Garner, New York Times)

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From the Back Cover

To err is human. Yet most of us go through life assuming (and sometimes insisting) that we are right about nearly everything, from the origins of the universe to how to load the dishwasher. In Being Wrong, journalist Kathryn Schulz explores why we find it so gratifying to be right and so maddening to be mistaken. Drawing on thinkers as varied as Augustine, Darwin, Freud, Gertrude Stein, Alan Greenspan, and Groucho Marx, she shows that error is both a given and a gift—one that can transform our worldviews, our relationships, and ourselves.

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Product details

Paperback: 416 pages

Publisher: Ecco; Reprint edition (January 4, 2011)

Language: English

ISBN-10: 0061176052

ISBN-13: 978-0061176050

Product Dimensions:

5.3 x 1 x 8 inches

Shipping Weight: 9.9 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

250 customer reviews

Amazon Best Sellers Rank:

#14,172 in Books (See Top 100 in Books)

This book is a tour of belief, knowledge and doubt by way of psychology and a heavy dose of philosophy. If you have any interest in epistemology, then this book is a must read! Schulz takes a look at inductive reasoning and how it's so efficient and serves us so well, but when it fails, it can fail hard. She shines a light on the fallibility of our physical senses and memory and how what seems so obviously right is sometimes absolutely wrong. While this may be paradigm shifting (and disturbing) for some people who haven't ever considered what one self can actually know, you don't need to fear succumbing to hard solipsism after reading this book.The author takes a look at why we fear being wrong so strongly, and how we often can't admit we are wrong until we have a new "right" theory to replace our wrong one. We discover that our error blindness keeps us from perceiving our own errors without hampering our ability to find the same or similar error in others. Practically all facets of our lives are affected by error - from politics to religion to love. Can we eliminate error? Even if it is possible, SHOULD WE? Error appears to be a uniquely human endeavor - as such we should embrace it (at least some of the time). The joy of being wrong is experienced daily through optical illusions, humor and art.Favorite quotes from the book:(pg. 31) there is a slippery slope between advocating the elimination of putatively erroneous beliefs, and advocating theelimination of the institutions, cultures, and—most alarmingly—people who hold them(pg 32) This was the pivotal insight of the Scientific Revolution: that the advancement of knowledge depends on currenttheories collapsing in the face of new insights and discoveries. In this model of progress, errors do not lead usaway from the truth. Instead, they edge us incrementally toward(pg. 70) In sum: we love to know things, but ultimately we can't know for sure that we know them; we are bad at recognizing when we don't know something; and we are very, very good at making stuff up.(pg 82) It’s not exactly news that most people are reluctant to admit their ignorance. But the point here is not that we arebad at saying “I don’t know.” The point is that we are bad at knowing we don’t know.(pg 86) As that suggests, the idea of knowledge and the idea of error are fundamentally incompatible. When we claim toknow something, we are essentially saying that we can’t be wrong. If we want to contend with the possibilitythat we could be wrong, then the idea of knowledge won’t serve us; we need to embrace the idea of beliefinstead. This might feel like an unwelcome move, since all of us prefer to think that we know things rather than“merely” believing them.(pg 106) In other words, if we want to discredit a belief, we will argue that it is advantageous, whereas if we want tochampion it, we will argue that it is true. That’s why we downplay or dismiss the self-serving aspects of our ownconvictions, even as we are quick to detect them in other people’s beliefs.(pg 123) leaping to conclusions is what we always do in inductive reasoning, but we generally only call it that when theprocess fails us—that is, when we leap to wrong conclusions. In those instances, our habit of relying on meagerevidence, normally so clever, suddenly looks foolish(pg 141) The vast majority of our beliefs are really beliefs once removed. Our faith that we are right is faith that someoneelse is right. This reliance on other people’s knowledge—those around us as well as those who came before us—is, on balance, a very good thing. Life is short, and most of us don’t want to spend any more of it than absolutelynecessary trying to independently verify the facts(pg 157) Just as disturbing, and more important, we also can’t be sure that some of the beliefs we hold today won’t appeargrievously unjust in the future. This is error-blindness as a moral problem: we can’t always know, today, whichof our current beliefs will someday come to seem ethically indefensible(pg 161) What zealots have in common, then, is the absolute conviction that they are right. In fact, of all the symbolicones and zeros that extremists use to write their ideological binary codes—us/them, same/different, good/evil—the fundamental one is right/wrong. Zealotry demands a complete rejection of the possibility of error.(pg 167) Doubt, it seems, is a skill—and one that, as we saw earlier, needs to be learned and honed. Credulity, bycontrast, appears to be something very like an instinct(pg 179) Whether you believe in flying saucers or the free market or just about anything else, you are (if you are human)prone to using certainty to avoid facing up to the fact that you could be wrong. That’s why, when we feelourselves losing ground in a fight, we often grow more rather than less adamant about our claims—not becausewe are so sure that we are right, but because we fear that we are not.(pg 187) Fortunately, we don’t get stuck in this place of pure wrongness very often. And we don’t get stuck there via thecollapse of small or medium size beliefs. We get stuck there when we are really wrong about really big things—beliefs so important and far-reaching that we can neither easily replace them nor easily live without them.(pg 199) All of us know people like this—people whose rigidity serves to protect a certain inner fragility, who cannotbend precisely because they are at risk of breaking. For that matter, all of us are people like this sometimes(pg 209) our beliefs come in bundles. That makes it hard to remove or replace one without affecting the others—and itgets harder as the belief in question gets more central(pg. 217) we are exceptionally bad at saying “I was wrong”—or at least, we are bad at leaving it at that. For most of us, it’s tough not to tack that “but” onto every admission of error.(pg 293) This is one of the most powerful ways being wrong can transform us: it can help us become more compassionatepeople. Being right might be fun but, as we’ve seen, it has a tendency to bring out the worst in us. By contrast,being wrong is often the farthest thing in the world from fun—and yet, in the end, it has the potential to bringout the best in us.

Shulz’s book is a thoughtful, powerful work that should be required reading for everyone in high school or college – and beyond. Part philosophy, part sociology and part reporting, “Being Wrong” feels a lot like Kahneman’s “Thinking: Fast and Slow” and, in my view, is every bit as helpful and important for understanding what drives us (as well as what steers us off a cliff or unhelpfully slams on the brakes). The chapter on Heartbreak is the most valuable piece of writing I’ve read on that issue despite the fact this isn’t a “self-help” book. The complexity of the issues here and the deftness and doggedness with which she pursues them puts her on par with Steven Johnson and maybe even Michael Lewis. Not a fast or simple read but very highly recommended.

If you want to get a new perspective on how beliefs and perceptions influence decisions then read this book. It is important to note that Kathryn Schultz has a stunning vocabulary. It is not often that I have to look up a word but with this book I did on several occasions. I have recommended this book to all of my friends and family. I have read parts to my wife and we both said "hmmm." I now examine why I feel someone or something else is wrong. As much as I don't want to agree with people that have opposing political views, I try to see if they are right because of this damn book. Great read and very inciteful.

“Error is the ultimate inside job. Yes, the world can be profoundly confusing; and yes, other people can mislead or deceive you. In the end, though, nobody but you can choose to believe your own beliefs.”(wrong thinking is from me — inside. Awful!)“That’s part of why recognizing our errors is such a strange experience: accustomed to disagreeing with other people, we suddenly find ourselves at odds with ourselves. Error, in that moment, is less an intellectual problem than an existential one—a crisis not in what we know, but in who we are. We hear something of that identity crisis in the questions we ask ourselves in the aftermath of error: What was I thinking? How could I have done that?’’ (20)Yep . . . that is me! Am I really . . . really . . . that . . . stupid? Nope! (right?)Well . . .“A whole lot of us go through life assuming that we are basically right, basically all the time, about basically everything: about our political and intellectual convictions, our religious and moral beliefs, our assessment of other people, our memories, our grasp of facts. As absurd as it sounds when we stop to think about it, our steady state seems to be one of unconsciously assuming that we are very close to omniscient.’’Right! I love that! Me and God — both know everything!Absurd? Well . . . I guess . . .Is this a new problem?“If you commit a moral transgression, you can turn to at least a handful of established options to help you cope with it. Virtually every religious tradition includes a ritual for penitence and purification, along the lines of confession in Catholicism and Yom Kippur in Judaism.’’(only religion?)“Twelve-step programs advise their participants to admit “to God, to ourselves, and to another human being the exact nature of our wrongs.” Even the criminal justice system, although far from reform-minded these days, has one foot rooted in a tradition of repentance and transformation. By contrast, if you commit an error—whether a minor one, such as realizing halfway through an argument that you are mistaken, or a major one, such as realizing halfway through a lifetime that you were wrong about your faith, your politics, yourself, your loved one, or your life’s work—you will not find any obvious, ready-to-hand resources to help you deal with it.’’This seems so odd. Errors, wrong decisions, false conclusions, are always with us and constantly hurting. Yet, we don’t know how to react. Or maybe we do know — and just . . . refuse.“In Part One, I trace the history of how we think about wrongness and the emergence of two opposing models of error—models that also reflect our ideas about what kind of creatures we are and what kind of universe we live in.’’“In Part Two, I explore the many factors that can cause us to screw up, from our senses to our higher cognitive processes to our social conventions.’’“In Part Three, I move from why we get things wrong to how we feel when we do so. This part of the book traces the emotional arc of erring, from the experience of realizing we went astray to how that experience can transform our worldviews, our relationships, and—most profoundly—ourselves.’’ Part I The Idea of Error1 Wrongology2 Two Models of WrongnessPart II The Origins of Error3 Our Senses4 Our Minds, Part One: Knowing, Not Knowing, and Making It Up5 Our Minds,Part Two: Belief6 Our Minds,Part Three: Evidence7 Our Society8 The Allure of CertaintyPart III The Experience of Error9 Being Wrong10 How Wrong?11 Denial and Acceptance12 Heartbreak13 TransformationPart IV Embracing Error14 The Paradox of Error15 The Optimistic Meta-Induction from the History of EverythingAuthor is a experienced journalist, not an academic. And reads like it, smooth, interesting, humorous and catchy.Many stories along with the deeper psychological or philosophical explanations.Well done.

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